About TypeTak

TypeTak is an AI writing tool that stores your World and writes on top of it with you. For novels, web novels, screenplays, and light novels.

A World that organizes itself

The agent builds your World

Plenty of tools hand you a story bible. The catch is that you have to fill it in. Make a character card, make a place card, write something into every slot. Time spent organizing is time not spent writing.

In TypeTak your World starts empty. As you chat and write your manuscript, the agent fills it in along the way. No cards to build first.

Character,Concept,Place+3 morePending approval
Character,Concept,Place+3 more
Character
Property slots
MentorKind=Node relationTarget=Character
Signature pieceKind=Node relationTarget=Concept
Section slots
Musical traits
Involvement in the case

Your story decides the types

Few stories run on characters and places alone. A cooking manga needs dishes, science fiction needs planets and species, and fantasy needs a magic system.

TypeTak doesn't fix the node types in advance. If your story needs dishes, a Dish type appears; if it needs creatures, a Creature type appears. The agent creates the types it needs and organizes your world exactly as it is.

You check relations as a picture

TypeTak organizes the relations between nodes and draws them as a Graph. Relations that cross type boundaries show up on the same screen.

Scanning a list and looking at a picture are not the same thing. You take it in at a glance.

FatherMotherMain LocaleInvestigatingCollaboratorYuju HanDoyun HanMiran JeongYuju's StudioJian SeoSeohu BaekThe Divine VoiceTranscriptionConcours Grand PrizeBlank-Space Notes

Chapter 3's facts and Chapter 40's facts both stay

Characters change inside a story. Someone at the bottom of the ladder in Chapter 3 is running things by Chapter 40. Two sworn enemies end up allies later on. With only one slot, the later fact erases the earlier one.

TypeTak gives values a range. Write down where a value starts and where it ends, and recording the Chapter 40 fact leaves the Chapter 3 fact intact.

It remembers where each setting came from

A setting organized into your World carries a Source. From the manuscript, that is the chapter number; from a conversation, a chat marker.

Click it and you land on the spot. You don't have to just take the AI's word for what it organized. You look at the evidence and decide.

The agent that writes

It lives in the editor, not a chat window

Writing a novel in a general-purpose chatbot turns into copy and paste, over and over. Take the answer, move it into your document, revise it, paste it back, move it again.

TypeTak keeps the manuscript open and writes inside it. Put the cursor on a sentence and alternatives come back right there; click the one you like and it swaps in. Nothing to move.

It writes in the tone you set

Tell a general-purpose AI to "write it plain" and only that one answer comes back plain. The next request goes back to how it was.

TypeTak attaches the tone to the manuscript. Assign a Writing Style to a manuscript, and the draft and the Editing pass both read the style assigned to it and come back in that tone. No need to say it again every time.

If writing the style yourself is hard, the agent reads what you've written and puts it together for you.

How to Write

The manuscript’s writing style — guidance inside the writing, editing, and feedback sub-agents

PresetWeb novel

Sentence rhythm

Keep sentences short by default. Stretch just one long sentence right before a scene change to steady the breath. Never open two paragraphs with the same rhythm.

Dialogue

Put dialogue up front — it drives a scene faster than narration. Give each character a verbal tic, answer a question with a question, and let Jian Seo reply to a question with a question.

It writes to length

Ask a general-purpose AI for 5,000 characters and you get 3,000, or 8,000. Ask again and the length is different again. On a serial with a fixed length per installment, you end up padding and trimming by hand every time.

TypeTak writes scene by scene, segment by segment. Where it needs to, it revises out of sight, staying as close as it can to the writing style you assigned and to the target length.

You get an editor

Write alone and there's no one to look it over.

  • Editing — Reads the whole manuscript and leaves comments and replacement sentences on each part.
  • Proofreading — Catches spelling and awkward phrasing.
  • Feedback — Names the strengths and weaknesses with an overall review and a score for each criterion.

All of it arrives as suggestions. Nothing goes into the manuscript on its own.

The same piece has never once been performed twice. Yuju flipped the detective’s card over and began sketching notes in the margin.

Now it lands at once how the 'ceremony', the 'hall collapse', and the 'parents' accident' connect. 'Never performed twice' clashes with the fact that we already heard it earlier.

Shorter, sensory-firstYuju knew the piece. It played at the ceremony, and again the night the hall came down. Yet the official record listed a single performance.
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The person who makes it

TypeTak is made by one person. Planning, design, development, answering support email — that's all me.

So I'm always busy. In exchange, when a writer tells me something is getting in the way, I fix it right away. There's nobody in the middle I have to convince.

Writing fiction is a hobby of mine. I've written two. Both started as short stories and swelled into full-length books as I went. And I finished neither one. I'm writing them again in TypeTak.