About TypeTak

TypeTak is an AI writing tool that stores your World and builds on it with you. For novels, web novels, screenplays, and light novels.

A story is a world of its own

Every novel holds a whole world of characters, places, histories, and rules. The longer the story runs, the more that world needs one place to hold it together.

Plenty of tools hand you a story bible. The catch is that you have to fill it in. Make a character card, make a place card, write something into every slot. Time spent organizing is time not spent writing.

In TypeTak, your World is your own lore dictionary that doubles as a graph, and the agent does the filling. Say “the hero grew up in a seaside village” in chat, or just write your manuscript, and the agent spots lore your World doesn't have yet and gathers it in the World backlog. Press Organize once and the characters, places, and lore go into your World. Anything you want to change, you can change yourself.

It creates the node types and slots each story needs

Few stories run on characters and places alone. A cooking manga needs dishes, science fiction needs planets and species, and fantasy needs a magic system.

TypeTak doesn't fix the node types in advance. If your story needs dishes, a Dish type appears; if it needs creatures, a Creature type appears. The agent creates the types it needs and organizes your world exactly as it is.

You can see relations as a picture

TypeTak organizes the relations between nodes and draws them as a Graph. Relations that cross type boundaries show up on the same screen.

Scanning a list and looking at a picture are not the same thing. You take it in at a glance.

It keeps your story from breaking its own lore

Write a long story with AI and it starts losing what you settled earlier. The hometown you set in Chapter 3 has changed by Chapter 30, and finding and fixing it is left to you.

TypeTak's agent looks up and reads the lore it needs from your World before it writes. Lore that changes — someone at the bottom of the ladder in Chapter 3 running things by Chapter 40 — is marked with when it starts and ends, so the agent reads the value that fits that chapter. Every detail also keeps its source: click it to jump to the manuscript page or conversation it came from.

Show your world with a single link

A world you've worked hard on usually ends up as documents in a folder. To show it to a co-writer or to readers, you have to pull it together and copy it out separately.

TypeTak shares your organized World by link. Whoever opens it browses the characters, places, and lore as cards and a graph, no sign-in needed. Lore you aren't ready to reveal, you simply keep hidden.

An agent for your writing

Writing a novel in a general-purpose chatbot turns into copy and paste, over and over. Take the answer, move it into your document, revise it, paste it back, move it again.

TypeTak keeps the manuscript open and writes inside it. Put the cursor on a sentence and alternatives come back right there; click the one you like and it swaps in. Nothing to move.

It writes in the tone you set

Tell a general-purpose AI to "write it plain" and only that one answer comes back plain. The next request goes back to how it was.

TypeTak attaches the tone to the manuscript. Assign a Writing Style to a manuscript, and whether it's drafting or Editing, the agent reads the style assigned to that manuscript and writes in that tone. No need to say it again every time.

If writing the style yourself is hard, the agent reads what you've written and puts it together for you.

How to Write

The manuscript's writing style — the style that drafts, revision, and feedback follow

PresetWeb novel

Sentence rhythm

Keep sentences short by default. Stretch just one long sentence right before a scene change to steady the breath. Never open two paragraphs with the same rhythm.

Dialogue

Put dialogue up front — it drives a scene faster than narration. Give each character a verbal tic, answer a question with a question, and let Jian Seo reply to a question with a question.

It writes to length

Ask a general-purpose AI for 5,000 characters and you get 3,000, or 8,000. Ask again and the length is different again. On a serial with a fixed length per installment, you end up padding and trimming by hand every time.

Where it needs to, TypeTak revises behind the scenes, staying as close as it can to the writing style you assigned and to the target length.

You get an editor

Write alone and there's no one to look it over.

Editing — Reads the whole manuscript and leaves comments and replacement sentences on each part.
Proofreading — Catches spelling and awkward phrasing.
Feedback — Names the strengths and weaknesses with an overall review and a score for each criterion.

All of it arrives as suggestions. Nothing goes into the manuscript on its own.

The same piece has never once been performed twice. Yuju flipped the detective’s card over and began sketching notes in the margin.

Now it lands at once how the 'ceremony', the 'hall collapse', and the 'parents' accident' connect. 'Never performed twice' clashes with the fact that we already heard it earlier.

Shorter, sensory-firstYuju knew the piece. It played at the ceremony, and again the night the hall came down. Yet the official record listed a single performance.

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The person who makes it

TypeTak is made by one person. Planning, design, development, answering support email — that's all me.

So I'm always busy. But when a writer tells me something is getting in the way, I fix it right away. There's nobody in the middle I have to convince.

Writing fiction is a hobby of mine. I've written two of them. Both started as short stories and grew into full-length novels as I went. And I finished neither one. I'm writing them again in TypeTak.