Release notes

New feedback guidance

Feedback guidance is new: your own standard for Feedback to follow. Apply one to each manuscript, and the overview, consistency, style, and fix & markup all follow it. Make one in Agent customization, or ask the agent to write or change it.

Feedback guidance guide →

Writing styles are now one collection across your spaces

The writing styles each space kept are now one collection of yours in Agent customization. You can apply, replace, or remove the same style on a manuscript in any space, and deleting a space keeps its styles. If two spaces had styles with the same name, one of them now ends in (space name).

Writing style guide →

Show a space with an invite link

Space settings have a new Members section. Someone who opens your invite link signs in and can read the space's manuscripts and world, with no editing tools. Spaces you were invited to gather under Member spaces on home, and Leave in their ⋯ takes you out.

Space guide →

World organizing rules open from the world screen's ⋯ and Agent customization

World organizing rules are no longer in the sidebar. Open them from the ⋯ at the top of the world screen or from Agent customization.

World organizing rules guide →

Improvements

• You can now rename a space and change its cover color from the ⋯ on its home card, without opening it.
• When the agent finishes a reply in a conversation that isn't on screen, a dot appears on the conversation list button and on that conversation.
• The manuscript picker in the sidebar now has the same ⋯ menu as a manuscript card.
• After you approve an Organize World card, the result now shows up without a refresh, and the agent fills in anything that was left out.
• You can answer the next approval while the Organize World you just approved is still being applied.
• On Max, the agent now answers complex requests with the advanced model, and Feedback answers with the standard model.
• Fixed Proofreading in the editor toolbar ending without marking any corrections on the page.
• When the agent goes back over what you wrote or what your world or a page holds, it says only what is there and tells its own added ideas apart.
• Clicking anywhere blank in a manuscript puts the cursor on the nearest line, in continuous view too.
• Pasted text now joins the import list as one row, the same as a file, and the upload can be stopped.
• Fixed logging in leading back to the login screen.
• On a phone, Upload files now opens the file picker straight away.
• On a phone, the formatting bar no longer hides behind the keyboard in a world section, and Hide toolbar in the page ⋯ hides it.
• On a phone, switching the page ⋯ Layout to E-book now shows on the page.

New Pro plan, old Pro renamed Basic

A $25-a-month Pro plan now sits between Basic and Max. The $12 plan that was called Pro is now called Basic, at the same price and quota. A notice now appears above the chat input when your quota runs low.

Plans guide →

Advanced model switches per feature, and Quota saver

You can now turn the advanced model on or off per feature, and the new Quota saver switches a feature to the standard model when the quota looks short. On the new Pro plan, page edit answers with the advanced model.

Model selection guide →

One-item deletes skip the confirm, deleted skills go to the archive

Deleting a single item now happens at once with no confirm, and deleted skills now go to the archive, where you can restore them.

Archive guide →

Sharing moves to the Share button at the top of the screen

You now share a world, node type, node or manuscript from the Share button at the top of its screen, and set what is shown and who sees it in one panel. The Public space switch is gone, and a space made public only with that switch no longer opens to others.

Publish & share guide →

Improvements

• Organizing a manuscript now finishes sooner, and every board card shows the chapter it came from.
• Opening a board card now shows it in the pane beside, and the board stays where it is.
• A new System theme switch follows your device's light or dark mode.
• Things to try now, shown in spaces with no manuscript, is gone; you now create a manuscript straight from the sidebar's Manuscript tab.
• On the Free plan, Organize World now has its own share of the month.
• An Organize World run the remaining quota can't fully cover no longer stops before it starts; it organizes what fits and tells you so.
• The line below the chat input now shows only the unorganized chapters and the Organize World button; facts settled in chat no longer gather there.
• World setting, guidance and writing style changes the agent makes are now saved without an extra button.
• The Organize World result card now shows what changed, and how much, under each type, and an approved card folds up.
• You can now pin many nodes in one action, and pin or delete many chats in one action.
• A section's name menu has a new Show sources that keeps all of its sources visible.
• Graph node types now open on their table, and their cards show more properties.
• On list screens, Add has moved above the table, and the ⋯ on list screens and in the page editor is now at the end of the top bar.
• The second row of cover colors is now pastel, so a space that had a deep color shows the pastel of the same hue. The Another color button is gone.
• Exporting from the editor now offers EPUB and layout options too.
• Importing hundreds of files no longer stops partway.

More room for the manuscript, as much sidebar as you need — Sidebar width

Drag the sidebar's right edge to set its width anywhere from 200 to 400 px, and the width stays after a reload. In a space, drag it narrower than 200 px and the sidebar folds away; move the mouse to the left edge of the screen and it appears in place, then fades when the mouse leaves. Grey surfaces such as the sidebar, sent chat bubbles and grey cards are a step lighter in every theme.

Space guide →

From the chat you asked in to the result — Organize World

Organize World results come back to the chat you asked from. The card above the answer shows what went into the world, and the agent tells you in its answer what didn't. Press Organize in an empty chat and the chat that will receive the result opens right away and appears in the chat list.

A card waiting for approval is handled from one slim bar above the input: View changes to look it over, then Approve or Reject. While an organize runs, its percentage and Stop sit at the right above the input too, so the input stays put when it starts or ends.

Organize World guide →

Only what you asked, inside that chapter — Revision

Ask the agent to change a scene in a chapter you've written, to change who knows whom, or to put a new scene between two others, and it marks the edits inside that chapter. A new scene goes right after the one it follows, a long chapter is edited only where that scene is, and the agent sums up in a few lines what it changed and where. A new chapter and text past the end of the manuscript are written as a draft.

Feedback and revision guide →

Improvements

• A revision that only changes text, with no comment, is already in your manuscript, and Show the original takes it back. When saves wait for your approval, those changes go in after one approval.
• Ask for a change to something the chapter doesn't have, and the agent says it found nothing to change.
• A Draft plan card numbers its items 1. 2. 3. when you read it, and its item boxes have no lines between them when you edit it.
• Ask for another organize while an earlier Organize World card waits for approval, and the agent asks you to approve or reject that card first and brings it to the bottom of the current chat.
• When an organize stops on an error, the agent says what went in before it stopped, and sends the rest when you ask.
• With Edit permission set to Proceed automatically, an organize started from the chat updates the world screen without a reload when it ends.
• Organize World result cards fold with the arrow in their header, and the head rows of an open Organize World, Writing style or lore document card line up with the card title.
• The rating, copy and branch buttons under an answer are small faint icons at its right end, and Previous chat and Branch above the input are faint grey text.
• A chat you open for the first time opens at its last message.
• On desktop, the path at the top of a pane reads in faint grey.
• A Progression line shows its text first, with its source button at the right end of the line's first row, in the same column as a paragraph's sources. In a narrow window the line wraps a little earlier so the button stays clear of the text.
• In a dark theme, the edges of menus, popovers and toasts match the dividers inside the app.

Ideas grounded in real references — Reference-based ideation

Ask for ideas or a direction, and the agent first looks up works, subject matter and writing techniques that can help, then answers from them. The sources it drew on are under References above the answer. Turn it on or off with Reference-based ideation in Settings > Agent. It works on every plan; Free and Pro have a daily cap on lookups.

Brainstorming guide →

Organize World — no longer holds up the chat, and keeps what it finished

Ask the chat to put something into the world, and that organize now runs on its own, so you can keep talking while it works and follow it under the input. Results are split across cards: nodes and their content on Edit world, new node types, slots and boards on Design world, and a single board on Edit board. View details on a card shows what changed.

A long organize also keeps what it has finished. It saves every four chapters, so if you press Stop partway, the chapters organized so far stay in the World. If an update restarts the service, the remaining chapters are organized a few minutes later. When saves wait for your approval, only chapters you approved and saved count as organized.

Organize World guide →

World backlog — now takes unsaved notes too

A note or file you sent in chat without saving now waits in the World backlog too, whole, as one card, and goes into the world when you press Organize. Lore you settled in conversation and manuscript pages not yet organized gather there as before.

World backlog guide →

Choices under an answer — pick an idea and go to the next step

An idea you pick under an answer no longer stops at the backlog; it leads to the next step. Check the ideas under Go this way? and press Go with this to keep them in the World backlog, and the agent follows up with where to go next. A plot across chapters goes onto the board with Write to board, and a direction for the next chapter becomes a draft or a draft plan with Write now or Plan first.

Brainstorming guide →

Revision — fixes now land in your manuscript

When you ask for a fix, the fixed text goes straight into your manuscript. Hover over it and press Apply to keep it, or Show the original to see what you wrote. Revision notes sit under their paragraph, and Show suggestion puts the suggestion in place. The menu over the manuscript has Show all suggestions to try every suggestion at once and Apply all revisions to keep them.

The agent can also read the revisions and corrections already on a page. Ask it to review the revisions you have, and it gives the review in its answer; ask it to apply or remove the ones you name, and it does only those. It also knows on your next message which ones you applied or dismissed yourself.

Feedback and revision guide → · Agent tools guide →

Style in Feedback — what you lean on comes first, with counts

The Style card in Feedback now opens with the categories it found, each word listed with how many times it appears. Hover over a highlighted word in the manuscript to see what the category means and how often the word comes up, and press Find to step through it. The text is read twice, so results hold steadier from one press to the next, and narration you chose on purpose is left alone.

Feedback and revision guide →

Rephrase — ask again in the direction you want

Rephrase now shows five alternatives in a list, and you can steer the next set. Type the direction you want (“shorter”) and send it to get a new set written that way, or press Regenerate for different ones.

Cursor menu guide →

Agent chat — pasted text goes in word for word

Paste a chapter into the chat, and the agent can now put it into a manuscript chapter or a document page without changing a word. You confirm where it goes on the Attached text approval card, and if the space has no manuscript yet, one approval creates the manuscript and its first chapter.

Agent chat guide →

New space — choose to start from your draft or from an idea

The first screen of a new space asks where you want to begin. Press I have something written, or drop files on the screen, to bring your manuscript into Your story. Press I'm starting from an idea to open a new chat where the agent asks what you want to write about.

Getting started guide →

Improvements

• In a Feedback answer, Overall impression, Evaluation by aspect, Strengths and Areas to improve sit under small bold names, and clicking a name folds or opens that part.
• Feedback on a page such as a lore document or notes skips the style check and the revision, and reviews the page as the material it is.
• Areas to improve names what the reader loses at that passage, and the edits it suggests keep a character's judgment and reasons for acting.
• A revision points at another passage by quoting it rather than by paragraph number, and comes with replacement text when the fix fits inside the chapter. A comment with nothing to change, such as praise, stays open.
• Correction, revision and canvas blocks in the chat say what they did and why they ended, and each one can be stopped with Stop.
• A chat card shows what it worked on and where at the top and its buttons on the bottom line, and a folded card shows only its top.
• A draft card in the chat follows the layout you picked in the editor, and its ▾ picks a layout for that card alone. Italics and chapter titles show as formatting while the draft is still being written.
• The layout for English-language submissions is called Standard manuscript, and the Mobile layout uses the same text width as E-book.
• A new chapter the agent writes takes its title in the manner of the chapters before it, and a new document with no title is saved as Unnamed.
• What the agent writes onto a page follows what the page is: lore notes as notes, a side story in a document as a chapter.
• A draft opens with the paragraph you gave it, and doesn't repeat a sentence where one scene meets the next.
• A writing style organized from a one-chapter manuscript holds no number rules such as paragraph shares.
• A manuscript's first Organize World writes the writing style and the world at the same time.
• When saves wait for your approval, the new world content waits on one card and one approval saves it all; a progress line runs at the bottom of the card while it saves, then the card reads Applied.
• The Organize World line under the input also follows an organize waiting its turn, and Stop there halts it. While the missing part is sent again, it reads Filling in what was missed.
• On a world result card, a line that didn't save has its name in red, and a folded head shows a mark too.
• When Organize World leaves out documents with no characters, places or similar lore, their names stay as one faint line in the organize conversation.
• A character whose search keyword is a family's name no longer gets that family's text.
• Ask the chat to rename a character, a slot or a board group, and the agent renames it.
• The agent puts a pasted lore card, an attached file, and the characters, places and plot you settled in conversation into the world in that turn, and ends its answer with what it can do next.
• The agent reads the world before saying what is filled in, and draws a canvas from your request alone. Ask whether you can write a kind of content, and it says in a sentence what it can help with and asks about your story.
• Ask how TypeTak works, and the agent answers from the closest part of the current guide.
• Under View on a board, Part and group order offers By number or By number (reverse), and a group's summary folds with the chevron after its name. A board's help explains how to use the board.
• Nodes, boards, node types, manuscript tables, writing styles and skills are renamed in place by clicking the large title.
• Pages, manuscripts and chapters are called by their Title in table headers and in the agent's change lines.
• The daily goal and the streak count what you wrote yourself together with what the agent applied.
• Changing Preferred response language asks whether to move your web novel writing styles to that language's region too.
• Agent customization in the avatar menu gathers Guidance, Skills and the agent settings.
• Signing in takes your username or email first, then your password after Next.
• Recent spaces in the space menu lists spaces in the order you last opened them.
• A space with one manuscript shows no manuscript picker in the chat input; it appears once you add a second manuscript.
• Manuscript cards are one book size at any screen width.
• The face beside a commented paragraph is the size of the body text, centered on its line, and shows in narrow layouts too.
• Popovers, menus, tooltips, toasts and dialogs fade in and out where they are, and the / and @ lists in the chat open right above the input with one row highlighted.
• The menu over the manuscript is the same frosted pill on desktop as on phones, text fields have a plain outline, dropdowns in Settings are as wide as their value, and number fields put − and + after the number.
• Settings, Restore and the plan window scroll at their right edge, and card outlines and dividers are equally light in every theme.
• Apply all in the correction menu applies every correction, and Page width in Settings > Editor is set with one number.
• Chat answers stay whole to the end when the browser translates the page.
• Subscribe buttons on the plan cards line up, the subscription tab shows your plan name and renewal date at the top, and cancelling or resuming always ends with a message.
• Emptying the trash deletes a space even when its world has an event with several participants.

Drafts written for where you serialize — web novel regions

Get drafts that follow the web fiction conventions of the place you publish. Pick Web novel under Preset in a writing style, then choose Korea, Japan, Taiwan, Hong Kong, English-speaking, European languages or Other under Region in the same list. A chapter you ask for without a length comes at that region's episode length, and its narration, dialogue and scene breaks follow that region's web fiction. A new space's Web novel starts with the region of your screen language.

Writing style guide →

An organize that stops within your quota — Organize World

An organize that would go over your remaining quota stops before it starts and tells you how far it can go. The line under the input then reads Organize World didn't run because it would go over your quota. Press Adjust to see the quota left, how much one run may use, the estimated use, and which chapters fit. Tell the agent a smaller chapter range, or paste a note with just the lore, and the agent organizes that much. The remaining chapters and World backlog items wait for the next organize.

Organize World guide →

Improvements

• In the panel that Organize opens from World backlog, the eye at the end of a manuscript row takes that manuscript out of the organize and puts it back. A manuscript taken out stays dimmed, and Organize then adds only the World backlog items to the world.
• Auto-convert ellipses and Auto-convert dashes in Settings > Editor offer Off, Auto, or the shape you want. Pasted and imported text and AI drafts are brought to the chosen shape too.
• Each point under Areas to improve in Feedback is one paragraph with the problem and how to fix it, and Consistency checks the passage against the world and against itself.
• A draft from the agent keeps every paragraph to the last one even when it is cut off, carries no stray tags in its paragraphs, and a revision suggestion you apply lands as plain text.
• The summary on the Style card is written in the language of the manuscript it reviewed.
• When the editor isn't showing the page that feedback reviewed, Open on the Feedback card opens the reviewed part of that page.
• Show in editor on the Style card appears while the highlights are off, and the ✕ at the end of the indicator over the manuscript turns them off.
• The Style card stays up for a second after the pointer leaves its band, and sweeping across bands keeps one card that follows the band under the pointer.
• Clicking a word with several marks opens only the top one — the correction, then Style, then the comment.
• Clicking a link in the manuscript places the cursor there, and a correction that fails to apply or cancel shows an error.
• A new space's manuscript screen shows a way to start planning in chat under We'll help you get started, and a space with writing in it shows each screen's own empty-screen guide for the manuscript, documents and World Setting.
• On phones, a new space opens on the manuscript screen.

Count in characters or in words — length unit

Measure your writing in the unit your market uses. In Settings > Goals, pick characters with spaces, characters without spaces or words under Length unit, and the count under the editor, its ring, your manuscript goals and your daily goal all follow it. The first unit follows your screen language — words for English, Spanish, Portuguese and Italian, characters for the rest — and goals you set in characters show when you pick a character unit. Length, which opens from the count, also shows manuscript pages counted by Characters per manuscript page.

Word count guide →

A daily goal per work, a row per manuscript — goals

Set how much to write each day for each work, and see every manuscript goal in one table. Amount per day in Settings > Goals counts only what you type in that space, and your streak's flame carries on only on days you reach it. In a space with no goal, any day you write counts. Manuscript goals give each manuscript one row with its Goal scope and goal, and a manuscript set to Off keeps its number without a ring.

Goals guide →

Write while seeing a submission manuscript, an e-book or a phone — layouts

See your writing the way it will be read. Under the editor, View settings offers Default, Letter, E-book and Mobile, and the pane takes that format's width, line spacing and first-line indent. In split view each pane picks its own, and Layout in Settings > Editor changes both. Default lets you set Page width, Line spacing and First-line indent, and Continuous view and Typewriter mode switch on from the same panel.

View modes guide →

Brackets and ruby with one key — snippets

Type the brackets and ruby marks you use most with one key. In Settings > Editor, record a key under Snippets by pressing it and write a template, and that key types the template into your text. Write the template as 「[Cursor]」[Cursor on selection] and the selected words get wrapped in 「」 with the cursor after the closing bracket. The list starts with Ruby and Emphasis dots, and the three Feature shortcuts take any combo you record.

Formatting guide →

PDF and EPUB set top to bottom — vertical writing

Export Japanese and Chinese manuscripts set vertically. Turn on Vertical writing in the export Layout, and the PDF or EPUB comes out vertical with ruby and emphasis dots drawn and two-digit numbers set upright. EPUB pages turn right to left. Japanese manuscripts also draw ｜外套《がいとう》 as ruby and 《《今夜》》 as emphasis dots in horizontal PDF and EPUB.

Export guide →

Mixed files land where they belong — import

Drop chapters and planning notes together and each lands where its content fits. In the import window, a planning memo dropped in the manuscript section or a chapter dropped in the documents section moves to the side it fits, marked Moved based on its content beside its name. A file you move back by hand stays where you put it. Long text pasted into the chat, and text you Paste into an empty space, are saved where they fit too.

Import guide →

Fix one wrong fact — drafts

When one fact in a fresh draft is wrong, fix it without rewriting the chapter. Say "You made Mujin a blacksmith, but he's a woodcutter — fix just that," and a new draft card comes back with every sentence stating that fact corrected and the changed words lightly highlighted. Comparing versions in History highlights added words the same way.

Drafting guide →

Review on the page, on your phone — proofreading and feedback

Ask for a review right where you are reading on your phone. Proofreading and Feedback float at the top of the manuscript and start with one tap. Tap ‹ to fold them into a small square, and they stay folded on that device until you open them again.

Proofreading and feedback guide →

Improvements

• On Japanese and Traditional Chinese screens ... becomes ……, and with Auto-convert dashes on, -- becomes that language's dash.
• Ruby and emphasis marks count only their base text, and a lone « or — is not counted as a word.
• The length on an export cover is the file's real page count.
• The agent counts a page's length by the same rules as the count under the editor.
• Polish screens count characters and show publisher's sheets (arkusz) in Length, and French manuscript pages count 1,500 characters.
• In Polish, Portuguese, Italian and French dialogue, a " - " typed after a narration insert becomes the dialogue dash too.
• Number fields in settings step with − and +, and Settings > Public access reads link, default sharing, then Advanced settings.
• Ask to go back to "the version with 4,753 characters" or "the one saved 12 minutes ago," and the agent finds it.
• The agent knows when you save or turn down a draft, approval asks only about the latest draft, a turned-down card reads Rejected, and a rewrite of an existing chapter offers Overwrite.
• Facts in a planning memo sent to the chat without saving wait in World backlog under the input for Organize.
• Pasting into an empty space shows only the question, its buttons and the manuscript name field in the save row.
• The sidebar's Manuscript / Documents switch matches the list under it, and the sidebar's top and bottom edges line up.
• Deleted pages and folders open from Archive under Utility in the sidebar.
• Tapping anywhere on the Build the world card opens its run, and Create an empty manuscript in an empty space opens the same new manuscript window as Add.
• On phones, the View button above boards and tables shows its label.
• Upload files and Upload folder in the import window are small buttons from the start.
• On phones, a ⋯ menu's title has a thin line under it.
• Moving a whole episode group to another part brings its cards along, and Organize World leaves alone a board card number it has already fixed.
• Older pages with highlights export to DOCX.
• Duplicating a chapter page from the manuscript table takes you to Documents, where the copy is saved.
• Ask about one board group and the agent searches only that group's cards.
• Characters deleted from the Prior Records character table stay deleted when the list reloads, and a failed create keeps the name you typed.
• Renaming something and stating a fact in one message puts both on one Organize World card.
• Renaming a node type renames the nodes under it and updates the relations that point at it.
• A card opened by tapping a Style highlight stays open on phones.
• The path at the top of a screen is split by "/", as in "Characters / Sarah".
• On phones, a new space opens on the chat, Paste opens a window, and windows are only as tall as what they hold.
• A failed search says so, and Customer inquiry and the survey turn on Submit only when there is something to send.
• On phones, the chat button is a speech bubble with two dots.
• On phones, the sign-in screen keeps a 16px margin on each side.

A story told in parts — board parts

As a serial grows, it gets hard to see which episode belongs to which part. Boards gather groups like Episode 1 and Episode 2 into a Part such as Part 1, and a card's place reads part, group, card: 1.2.3. Parts and groups open like cards and hold their own text, which the agent reads when it writes what comes next.

Existing boards hold their groups, in order, inside one part with no name. Cards with no place gather in the unnamed group at the end of that part.

Board type guide →

See who appears in which card — sub-columns

See which character turns up in which episode from a table, without opening cards one by one. In a board's Table, open Sub-columns under a column such as characters or places, and each cell shows whether that card carries that value; press a cell to add or remove it.

Board type guide →

Consistency and style under the critique — three-part feedback

One round of feedback tells you whether your writing fits your lore and which habits keep coming back. Feedback brings a Consistency card and a Style card under the overall impression, strengths and areas to improve. Consistency shows both what clashes with your World and Writing Style and what holds, and Style finds habits like repeated words, pet phrases and clichés and highlights them on the page. The evaluation by aspect comes as one card with stars, and each area to improve carries an Improve paragraph on how to fix it.

Feedback guide →

Today's writing under the editor — goals

See how much you wrote today and how far your manuscript is from its goal without leaving the page. In Settings > Goals, set how many characters to write a day and, for each manuscript, a target for this chapter or the whole manuscript. Under the editor you see today's count and your streak, and pressing the character count shows the length of this page, the chapter and the manuscript against its goal. Manuscript cards show how much is written.

Goals guide →

Start from what you've already written — things to try now

Put your draft into a new Space and build a World or get feedback right away. Paste or upload your draft and your notes under What you've written so far, then press Build the world or Get feedback in Things to try now. A new Space opens with the manuscript screen and the chat side by side, and what you've tried is remembered per Space on every device.

Getting started guide →

Lore documents go into the World too — Organize World with the imported files

Documents where you keep character notes or worldbuilding go into the World as well. Turn on Organize World with the imported files in the import window, or press Build the world, and only the documents that record your story's lore are organized; the ones left out are listed when the run ends.

Importing guide →

Quotes and dialogue dashes for your language — auto-convert quotes

Write with your language's quotation marks and dialogue dashes without fixing them by hand. In Auto-convert quotes, choose Auto to follow your screen language, or one of seven shapes such as „…“, « … » and 「…」; typed quotes, pasted and imported text, and AI drafts all take that shape. Auto-convert dialogue dashes turns a “- ” typed at the start of a manuscript paragraph into your language's dialogue dash (—Hola, – Cześć).

Formatting guide →

Fonts for the language you write in — fonts

Write and export in fonts made for your language. The toolbar's Font menu adds Latin, Japanese and Traditional Chinese fonts, and the font you pick looks the same on other devices and on shared links. The Latin group has thirteen fonts, including Literata, Times New Roman, Georgia, Lora and Courier Prime. In Settings > Display, pick separate fonts for agent replies, for blockquotes and drafts, and for screen titles and sections; exported PDF and EPUB files use the fonts you picked.

Formatting guide →

Files that follow submission guidelines — export layout

Export a manuscript the way a contest or a publisher asks. In the export Layout, set paper, font size, line spacing, header, page numbers, the cover and the chapter-title style, or pick a format like A4 · 11pt · 160% at once with Apply preset. Each chapter starts on a new page under one title, and World exports to PDF, DOCX or HTML take the same layout.

Export guide →

Also new

• Edit right on the board. Each card shows its Content under its name, you edit it and the names of cards, groups and parts where they stand, and Move to number in the ⋯ moves them.
• A cover color for each Space. The Cover color in the Space settings colors the manuscript cards, the home cover and the public pages.
• Organize World says what it left out. Each line the World did not take carries its reason, such as Name taken or Not found, and To check at the end of the card takes you to the node types and nodes it changed.
• A Writing Style from your own text. Paste a passage into an empty Writing Style and press Organize from this text, and the agent sums up its style.
• Shared links look like a title page. A shared World or manuscript link pasted into a messenger shows a card with the Space's name and its author.
• The manuscript at phone width. Turn on Mobile view in Settings > Editor to narrow the editor to the width of a phone screen.
• Long text in chat becomes cards. Pasting long text into the chat turns it into cards you can save one by one.

Improvements

• During a free trial, payment starts only after you confirm in the Start immediately dialog, and switching to yearly keeps the trial going.
• The trial-limit notice lets you subscribe at once with Start subscription now.
• Resources on the home screen opens the walkthrough courses and the guide.
• See all manuscripts in the sidebar's manuscript picker opens the manuscript screen.
• The view switches come in the same order in settings and under the editor, and Hide toolbar says what it hides.
• The World Setting can stay open beside the manuscript while you write.
• Things to try now cards keep a small drawing on narrow screens, a card you can start reads differently from a locked one, and a World you've built opens with View world.
• An empty chat suggests what you haven't tried yet.
• Importing into a Space with no manuscript suggests starting with one manuscript, and a new manuscript's title field starts empty.
• Pasting into notes asks a single line.
• Manuscript cards sit two, three or four to a row depending on the screen width.
• The save checkboxes under a reply appear as soon as it ends, and Organize now files only the ideas you ticked and the waiting items related to them.
• The first World backlog shows what will go into the World before you organize.
• The Build the world card sums up what the World holds in two lines.
• Once the agent finishes a reply, you can send your next message while the Organize World it started is still running.
• In a Korean chat the World is written in Korean, and one “in Korean” changes names, options and text at once.
• Organize World leaves an approval card only when it has something new to write, and a chat knows when an organize run elsewhere has already filed what it settled.
• Organize World writes board cards as one short paragraph, keeps parts named and in story order, and numbers an event only when the conversation gave its place.
• Organize World and the agent tell apart cards with the same name, a card next to a new part, and a character who shares an event card's name, and rearrange a board in one go.
• Asking the agent to delete a board or a node type removes it in one go, the archive restores it whole, and a card restored from the archive goes back on its board.
• A deleted account is erased 30 days later even when its boards held cards.
• Before any Writing Style exists, the agent writes and judges by the Space's manuscript kind.
• Chats on Claude carry on while the model is thinking.
• Organize World and Writing Style conversations are listed with their target's name first.
• Chapter and manuscript lengths are counted with the same rule as the editor's character count.
• ⌘Z undoes the field you are typing in.
• Deleting folders together sends their pages to the archive too, and search finds only pages outside the archive.
• The import window's upload buttons carry icons, and a long file list scrolls inside its box.
• EPUB files carry true bold and a working table of contents and are lighter.
• A single-file PDF export shows its progress, and waiting exports run in turn.
• Changing the font of one passage leaves screen titles and sections on the Title and section font.
• Every font list in settings offers the editor font and the system font, and screen and file titles are set in regular weight.
• Switches that are on, ticked boxes and a pane edge you drag take the theme's accent color.
• While a window is open, clicks land only inside it, and what you type in the window stays until you close it.
• Menus widen to fit long names, longer names fade at the edge, and a menu that opens upward keeps clear of its button.
• A setting's note sits right under its name, and on a phone a long setting name fits on one line.
• The editor toolbar sits flat on the page, and Scroll to top · Scroll to bottom show a chevron.
• On a phone, World property names show in full and values take up to two lines, and section titles sit one size below the page title.
• A node's properties and the small graph beside them line up under the title, and a progression line's ⋯ shows only when you point at that line.
• A document cited as a source shows a page icon.
• Board cards show property chips only once you turn them on, and a group's name matches the size of its cards' names.
• Deleting a group or part tells you its cards go too.
• The chat's Thinking line and buttons match the size of the lines around them, and the input's top edge stays visible in dark themes.
• The area behind the chat input glows softly while items wait for the World.
• In a chat shown on its own, cards come before the title, and Back to conversation is a filled button.
• The conversation-list button and the sharing globe look pressed while their list is open.
• The Works cards on a public page sit in one row you scroll sideways.
• Sharing wears the same globe icon as Public access settings.
• A Space card on the home screen keeps its color while its ⋯ is open, and cards that open something show the pointing-hand cursor.
• In search boxes, the text sits closer to the magnifier.
• Skill cards, table templates and the guide button work with the keyboard and with screen readers.
• Korean names on public pages break only between words.

See how a character has changed — section progression

Characters change as the story moves on. Now those changes build up in chapter order in the Progression under a World node's section, and pressing the manuscript page or board card number on a line takes you straight to that scene.

You don't have to write them yourself: as Organize World reads your chapters, it notes what a character becomes, gains, loses, or learns. If plot has crept into a character's write-up, say “move it into the progression” and the agent does.

Section progression guide →

A board as a grid — Matrix

Questions like “when did this side character last show up?” are hard to answer by opening cards one by one. Boards now have a Matrix view: cards as rows, characters or places as columns, and a dot marking who or what appears in each card. Press an empty cell to add that value to the card.

The board screen has a new layout too. Groups wrap to the next row, card numbers read like the manuscript's (Event 1.2), and cards you open often can be pinned to the sidebar.

Matrix guide → · Board type guide →

Keep old values alongside new ones — property start and end

When a character's job changes, the old value no longer has to go. Give each value the manuscript page or board card where it starts and ends, and past and present values stay together in one field. Say it in chat — “he quit hunting after ‘The Seal Cracks’” — and it's written there.

Property start and end guide →

Requests you make often, right on the page — editor skills

Skills now come in an Editor type. Make one and it sits in the cursor menu; press it and the passage, with the sentences around it, goes to the chat for the agent to answer. You can also make a new one on the spot with the ＋ in the cursor menu.

Skills guide → · Cursor menu guide →

Your manuscript in one scroll — continuous view

Turn on Continuous view under the editor and your manuscript's pages join in reading order. Scroll straight down like a book instead of going back to the sidebar for each chapter, and fix whatever catches your eye right there.

Continuous view guide →

Chat with Claude on every plan

Claude joins the models in the agent settings, so you can choose GPT, Gemini, or Claude on any plan. The model you pick is also the first choice for drafts, Revision, and proofreading. Detailed models on the Max plan now offer five reasoning levels.

Choosing a model guide →

Only the ideas you like go into the World — picking under a reply

When the agent offers a few options for a character or a place, a checkbox for each idea appears under the reply. Tick the ones you like and send them to the backlog with Add to backlog, or file them right away with Organize all. Say “add that to the World” and it's written from that same reply.

World backlog guide → · Organize World guide →

Also new

• Sign in with email. The sign-in field takes a username or an email, and signing up asks only for an email and a password.
• Accent color and reduced motion. In Settings > Display, choose one of six colors for buttons and links, and cut down on motion.
• Home becomes a bookshelf. Space cards show as book covers in each Space's color, and pinned Spaces wear a bookmark ribbon.
• Public access has its own tab. Set Space publishing and default sharing for manuscripts and the World in one place, under Settings > Public access.
• Copy a page. Page ⋯ > Export > Copy puts the whole page on the clipboard with its formatting.
• Proofreading fixes a long page at once. Apply all now covers the whole page, not just what's on screen, and one undo reverts all of it.
• Start from an empty screen with the agent. Get started on a new chat, and the Agent button on an empty World or Writing Style, open a conversation where the agent asks about your story first.
• Ask about part of a reply. Select text in an agent reply and Ask quotes that passage.
• One more round of polishing. Generate another under a Rephrase or Enhance card brings new options.
• Leave rows out on an approval card. Mark each node type and node row in Organize World results Exclude or Include.

Improvements

• Pasting long text keeps the screen and cursor at the end of the paste, and it saves within a second.
• When a page differs from the server, the notice under the title lets you load the other version.
• Change a manuscript's Writing Style straight from its card's ⋯.
• The agent knows the World Setting in new conversations, and reads related characters and places before answering idea questions.
• What the agent read folds into one line above its reply, and in long conversations the agent tells you when earlier parts have been summarized.
• Pressing a World history row opens the change view at once; on a phone it opens as a sheet.
• The clock at the end of a property's name opens that property's history.
• Feedback streams into its chat card as it's written.
• Proofreading asked for in chat shows one line per page, and stopping it takes effect within seconds.
• Proofreading and Revision on long pages run several parts at once and finish sooner.
• Write as is on a draft plan starts writing right away, and a new chapter's draft opens with its number and title.
• Settings > Subscription opens on the Free plan too, showing remaining Quota and when it recharges.
• Resolve a comment with the ✓ at the end of its name line, and bring it back with Reopen in the ⋯.
• Numbers in the manuscript table and table of contents sit right before the name (01 Meeting Magic).
• Duplicating a page in the manuscript table shows the copy at the top of the Documents list.
• The Sidebar group in Settings puts each list's order and count side by side.
• The cursor menu opens below the line when there's room.
• Collapsible sections now expand and collapse smoothly.
• Narrow panes keep Close and Help, and long names fade out at the end.
• On a phone, the chat input folds to one line and the ⋯ menu's steps open within one sheet.
• Private skills don't open from a link either.

Your manuscript and World behind one link — Publish · Share

Showing someone your work no longer means sending files. With Publish · Share, you decide what other people see and who sees it. Open it only to people with the link, let it show up in search, or share a single page or node on its own.

Readers don't need to sign in. A World reads like an encyclopedia, node by node, and a manuscript opens on a cover and table of contents, then runs chapter to chapter.

Publish · Share guide →

Hear from readers on the page — public comments

Once your writing is out there, you'll want to know how it lands. Signed-in visitors can now select text on a shared page and leave a comment, and you read those comments in the editor alongside your own. The agent reads them too, as feedback from a reader.

Public comments guide →

Everything bound for the World, in one place — World backlog

As you write and talk things through, lore piles up that belongs in the World. Manuscript pages and items settled in chat that aren't in the World yet now wait in the World backlog, just below the chat input. See what's about to go in, drop anything you don't want, and file it all at once with Organize World.

World backlog guide → · Organize World guide →

The era and stage of the whole story — World Setting

Some lore doesn't belong to any one character or place: the era, the stage, the social order. The World Setting, at the top of the sidebar's World area, is where it goes. Settle it in chat — “let's set it in the present day” — and Organize World writes it there; the agent reads it whenever a draft or answer depends on the story's wider backdrop.

World Setting guide →

Ask for a relationship map — the agent draws on a Canvas

Drawing a character map by hand takes time. Now say “draw a relationship map of the characters” and the agent reads the relations in your World and lays them out on a Canvas, with families or factions grouped into sections. Ask for a timeline and it splits the Canvas into acts and places each event. It can also read an open Canvas back to you, and when you ask for one change — “move Anna next to Sara” — it leaves everything else alone.

Canvas guide →

Compare a past version with your manuscript now — History

Before going back to an old version, you want to know what will change. Open a version in History and it's now compared with your manuscript as it stands, marking what would come back and what would go. World nodes keep a history too, showing who set each value and when, and you can restore any point.

History & Restore guide →

Also new

Work a Canvas from the keyboard.

Undo, copy, paste, and duplicate with shortcuts, gather cards into sections and groups, and pick line shapes and card colors.

Export more.

World nodes and whole node types, Canvases, and your Writing Style, Guidance, and World Setting can all be exported.

See your World and manuscripts as cards.

The World and each node type open as cards, and manuscripts can be shown as cards and dragged into order.

Spaces you've visited stay on Home.

Read someone's shared World or manuscript and you'll find it again under Recently visited spaces.

An icon for every Space.

In Settings, shuffle the shape and color until you get one you like.

Several skills in one message.

Attach more than one skill to a single request.

Similar works checked before answering.

Ask for ideas or the agent's take on a plan and it first checks on the web how similar stories handle it.

Everything deleted in one list.

The Archive gathers deleted items of every kind, newest first, and you can select several and restore them at once.

Write in your own language — ten interface languages

TypeTak's interface is available in Korean, English, Japanese, German, Spanish, French, Portuguese, Polish, Traditional Chinese, and Italian. It follows your device's language, or you can set one in Display language. The language the agent replies in is a separate setting, Preferred response language.

Customization guide →

Edit a pending approval card in place

To change one detail on an approval card, you no longer have to reject it and start over. Tell the agent in chat what to change and it rewrites that same card; if a change no longer makes sense, it withdraws it. A withdrawn card stays where it was, marked Withdrawn, so you can see what happened.

Edit permission guide →

Nodes built right and filled in — Organize World

A node with a name and nothing else is one more thing to fill in later. Organize World now creates node types and nodes from your manuscript and conversations more accurately, and works through each property the type defines to fill in its value. Every value carries its source, so you can trace where it came from.

Organize World guide →

See what's new on a node

When you open a node the agent has worked on, the first question is what changed. Properties and sections that gained a new source since you last looked have a dot before their name, so you find the new material without reading from the top.

Node types & slots guide →

Also new

Write straight from the plan.

Adjust the outline and length on a draft plan card, then press Write as is and the agent writes to that plan.

Named files for each page.

Export selected pages as separate files and each one is named with its chapter number and title, all in one zip.

Edit tables in place.

Add rows and columns, merge or split cells, and set header rows and columns right in a page's table.

Your story's world in one place — the World

The longer a story runs, the more its characters, places, and lore scatter. The World is your own lore dictionary that doubles as a graph. Create the node types you need, or let the agent fill them in; write lore into each node's properties and sections, and link nodes with relations. The agent reads the World whenever it writes or answers, so what you settled early carries through the whole project.

World guide →

Fix the plan before the writing — draft plans

Finding out a draft went the wrong way only after it's written means starting over. Now the agent shows a draft plan before it writes. Adjust the outline and the length, and it follows your edits exactly.

Outline & drafting guide →

Have the agent ask first — edit permission

You decide how much the agent may change on its own. With Edit permission set to Ask first, draft plans, World changes, Writing Style edits, and page overwrites appear as cards first, and only what you approve goes through. On Proceed automatically, the agent goes ahead and tells you what it did.

Edit permission guide →

A long story, numbered — manuscripts, chapters, and pages

Writing lives in manuscripts, split into numbered chapters. A long chapter can hold several pages, and one Space can hold several manuscripts, so you can write the main story and side stories in one place. Ask in chat and the agent creates, moves, and tidies pages and chapters for you.

Manuscript guide →

Find out what to fix — Revision, Proofreading, and Feedback

Revision marks sentences to fix with a comment and a replacement, Proofreading catches spelling, grammar, and awkward phrasing across the page, and Feedback points out strengths, weaknesses, and anything that contradicts your World. Leave comments in the text and say “fix it as commented” — the agent reads them and revises.

Revision guide →

A style for each manuscript — Writing Style

Create a Writing Style and set it on a manuscript, and the agent follows it in drafts, Revision, and Feedback. Several manuscripts can share one style, and you can switch to another whenever you like.

Writing Style guide →

Also new

Draw on a Canvas.

Place cards freely and join them with connectors to map relationships or plot flow, and bring World nodes onto the Canvas too.

Save frequent requests as skills.

Keep the requests you make often as skills, call them from chat, and bring in skills others share in the gallery.

Tell the agent how to work.

Write how it should answer in Guidance, and how it should record lore in World Organizing Rules.

Answers from the web.

When a question needs facts from outside your story, the agent searches the web and answers with its sources.

Branch a conversation.

Split a conversation at any reply to try another direction, and come back to the original anytime.

Ask for an undo.

Say “undo what you just wrote” and the agent restores the page to a saved earlier version.

Deleted things wait in the Archive.

Deleted pages, World nodes, and Canvas cards stay in the Archive until you remove them yourself, ready to restore anytime.

Export your manuscript.

Save manuscripts and documents as PDF, DOCX, TXT, or EPUB.

Bring back a closed account.

Sign in again within 30 days of closing your account to restore it with all your work.

The Max plan.

Detailed models let you pick a model and reasoning level for each feature, with more generous Quota.

The length you asked for — drafting

Leave the length open and the agent writes as long as the story needs; set a character count and it divides the length across scenes to land closer to it.

Outline & drafting guide →

Closer to your style — Writing Style

Drafts now follow the style you've described in your Writing Style more faithfully.

Writing Style guide →

Drafts that sound like you — Writing Style

When a draft loses the voice you've worked on, there's more to fix afterward. The agent now reads your style more closely and carries it into its drafts.

Writing Style guide →

No need to repeat yourself — Guidance

The agent remembers your preferences and the requests you keep making, and applies them in later answers.

Guidance guide →

Format with markdown

Type markdown such as -, 1., #, or ** and it can turn into formatting as you write. Turn it on or off in the editor settings.

Formatting guide →

Also new

Answers in the language you write in.

The agent checks which language you typed in and replies in that language.

See the shape before the words — outline and draft

Sometimes you want to know where a draft is headed before it's written. The agent now shows an outline first, then writes the draft along it.

Outline & drafting guide →

Drafts that fit your target length

If a draft comes out longer or shorter than your target, the agent reworks it to fit.

It understands what you're asking

The agent reads the intent behind a request more accurately, so it rarely tries to change details you didn't ask about. Ask for feedback and you get it in a clear, organized form.

More accurate spelling and grammar — Proofreading

When proofreading misses a mistake or “fixes” something that was fine, you end up checking its work. Proofreading now catches Korean spelling and grammar issues more accurately.

Spell check guide →

More natural sentences — Enhance

Enhance tools such as Dialogue and Sceneify now return more natural sentences. Dialogue in particular handles back-and-forth between several characters more smoothly.

Cursor menu guide →

Quick replies to quick messages

Waiting on a simple hello breaks the flow. The agent now gauges how involved a request is first, answers short exchanges right away, and reuses what it already looked up when you follow up on the same topic.

It reads your work, then plans the answer

Ask a question in chat or through a skill, and the agent looks up your work first and plans its answer after. The answer keeps the context in view.

Chat guide →

Sample lines ready for your manuscript

Sample lines from the agent come without commentary or analysis mixed in — only dialogue, narration, and description you can move straight into your manuscript.

Also new

A less robotic voice.

No “Great question!” — the agent gets to the point the way a person would.

Steadier response times.

If processing stalls, the agent retries on its own, so answers arrive at a more even pace.

Answers drawn from your work

An answer about your story is only useful if it fits your story. The agent now picks what a question needs from your story's structure, style, and characters, reads it, and answers with that context in place.

Chat guide →

Grounded in what it read

The agent leans on the details it actually read, so answers that contradict your work are rarer. Similar questions get similarly shaped answers, which makes them easier to scan.

Also new

Plain-language errors.

If something goes wrong while the agent is looking through your work, it tells you what happened in words you can follow.

Hand off what comes next — drafting

Sometimes you want to see the next part without breaking your stride. Ask the agent for a draft in chat, and it picks up the story where you left it and writes what comes next.

Drafting guide →

See it before it changes — approval cards

When the agent wants to add, change, or remove a detail in your story, it shows the change on a card first, and nothing happens until you approve. For an edit, the current value and the new one sit side by side; reject anything you don't want.

Edit permission guide →

Also new

Ask how TypeTak works.

Ask “how do I use this?” and the agent answers from TypeTak's own documentation.

Replies that sound like a person.

The agent answers in plain, natural sentences without filler like “Absolutely!”

No made-up answers.

If it can't find the chapter you mean, the agent says so instead of inventing what's in it.

Answers that stay true to your characters

When you ask about someone in your story, the answer is only useful if it matches what you've decided about them. The agent now finds and reads your character details more reliably and keeps its answers in line with them.

Chat guide →

Steadier on your phone

The app runs more reliably when you write on a phone. As you scroll down, the page title bar folds away so you see more of your text.

All your work at a glance — new home screen

With several stories on the go, picking which one to open takes longer than it should. Your Spaces now spread out as cards on the home screen, so you can open the one you were writing straight away.

Spaces guide →

Long conversations keep their beginning

The agent now holds on to more of what you settled earlier in a conversation, even a long one. You won't need to explain the same thing twice.

Chat guide →

Also new

Split view runs more smoothly.

Keep two screens side by side and move between them as you write.

Your writing stays when the connection drops — autosave

Losing the connection mid-sentence no longer costs you the paragraph you just wrote. Anything that couldn't be saved is kept in your browser and sent again once you're back online, and when you leave a page or close the window, anything unsaved is saved first.

Autosave guide →

Even spacing in one step — paragraph spacing

Uneven gaps between paragraphs make a manuscript hard to read. Choose a gap in Paragraph spacing and the whole page follows it at once.

Editor utilities guide →

Closer points to go back to — History

History saves more often, so the versions you can go back to are closer to where you are now. Restoring an earlier version is faster, too.

History & Restore guide →

Also new

The agent reads the chapter right before.

When the agent continues your story, it finds the previous chapter in the same manuscript and picks up from there.

Take a page out of its folder.

Move a page from inside a folder back to the outer list in one step.

Hand off the scene you're stuck on — drafting

When the next scene won't come, hand it to the agent. Say where you want the story to go, and it writes a draft that picks up from what you have. Save the draft straight to the next chapter or a new page.

Drafting guide →

Find out what to fix — Revision

When you want a second pair of eyes on a page, run Revision. The agent marks each sentence worth fixing with a comment and a replacement. Apply the ones you like, or all of them at once, and go back to the page as it was if you change your mind.

Revision guide →

A long story, in parts — manuscripts

In a long serial, the main story and the side stories easily end up jumbled in one list. Now each story lives in its own manuscript, so the main story and side stories stay apart, each with its chapters in order.

Manuscript guide →

Get yesterday's sentence back — History

Sometimes the sentence you wrote yesterday was better. History lists a page's earlier versions in order; compare one with what you have now and restore it. You can also save a version yourself at moments that matter.

History & Restore guide →

Change a word everywhere — find and replace

Renamed a character? No need to comb through the page. With Find and replace, find the word and swap it one at a time or all at once.

Find and replace guide →

Keep writing on your phone

The phone layout has been rebuilt so you can pick up your work anywhere. The editor and Skills work on a phone as they do on a computer, and you can long-press a list item to drag it into place.

Also new

Enhance a sentence from the cursor menu.

Select text or place the cursor to open the menu, then use tools like Dialogue, Sceneify, and Rephrase right there.

Apply proofreading in one go.

Show only spelling and grammar errors, or awkward phrasing too, and apply the fixes all at once.

Give skills an icon.

Pick an icon for each skill so you can tell them apart at a glance.

Bring things back from the Archive.

Restore whole manuscripts and folders you deleted, or delete them for good.

Import files.

Upload TXT, DOCX, Markdown, or HTML files as pages.

Size the panes.

On a computer, drag the border between the editor and the side panel.