Board parts and three-part feedback

A story told in parts — board parts

As a serial grows, it gets hard to see which episode belongs to which part. Boards gather groups like Episode 1 and Episode 2 into a Part such as Part 1, and a card's place reads part, group, card: 1.2.3. Parts and groups open like cards and hold their own text, which the agent reads when it writes what comes next.

Existing boards hold their groups, in order, inside one part with no name. Cards with no place gather in the unnamed group at the end of that part.

Board type guide →

See who appears in which card — sub-columns

See which character turns up in which episode from a table, without opening cards one by one. In a board's Table, open Sub-columns under a column such as characters or places, and each cell shows whether that card carries that value; press a cell to add or remove it.

Board type guide →

Consistency and style under the critique — three-part feedback

One round of feedback tells you whether your writing fits your lore and which habits keep coming back. Feedback brings a Consistency card and a Style card under the overall impression, strengths and areas to improve. Consistency shows both what clashes with your World and Writing Style and what holds, and Style finds habits like repeated words, pet phrases and clichés and highlights them on the page. The evaluation by aspect comes as one card with stars, and each area to improve carries an Improve paragraph on how to fix it.

Feedback guide →

Today's writing under the editor — goals

See how much you wrote today and how far your manuscript is from its goal without leaving the page. In Settings > Goals, set how many characters to write a day and, for each manuscript, a target for this chapter or the whole manuscript. Under the editor you see today's count and your streak, and pressing the character count shows the length of this page, the chapter and the manuscript against its goal. Manuscript cards show how much is written.

Goals guide →

Start from what you've already written — things to try now

Put your draft into a new Space and build a World or get feedback right away. Paste or upload your draft and your notes under What you've written so far, then press Build the world or Get feedback in Things to try now. A new Space opens with the manuscript screen and the chat side by side, and what you've tried is remembered per Space on every device.

Getting started guide →

Lore documents go into the World too — Organize World with the imported files

Documents where you keep character notes or worldbuilding go into the World as well. Turn on Organize World with the imported files in the import window, or press Build the world, and only the documents that record your story's lore are organized; the ones left out are listed when the run ends.

Importing guide →

Quotes and dialogue dashes for your language — auto-convert quotes

Write with your language's quotation marks and dialogue dashes without fixing them by hand. In Auto-convert quotes, choose Auto to follow your screen language, or one of seven shapes such as „…“, « … » and 「…」; typed quotes, pasted and imported text, and AI drafts all take that shape. Auto-convert dialogue dashes turns a “- ” typed at the start of a manuscript paragraph into your language's dialogue dash (—Hola, – Cześć).

Formatting guide →

Fonts for the language you write in — fonts

Write and export in fonts made for your language. The toolbar's Font menu adds Latin, Japanese and Traditional Chinese fonts, and the font you pick looks the same on other devices and on shared links. The Latin group has thirteen fonts, including Literata, Times New Roman, Georgia, Lora and Courier Prime. In Settings > Display, pick separate fonts for agent replies, for blockquotes and drafts, and for screen titles and sections; exported PDF and EPUB files use the fonts you picked.

Formatting guide →

Files that follow submission guidelines — export layout

Export a manuscript the way a contest or a publisher asks. In the export Layout, set paper, font size, line spacing, header, page numbers, the cover and the chapter-title style, or pick a format like A4 · 11pt · 160% at once with Apply preset. Each chapter starts on a new page under one title, and World exports to PDF, DOCX or HTML take the same layout.

Export guide →

Also new

Edit right on the board. Each card shows its Content under its name, you edit it and the names of cards, groups and parts where they stand, and Move to number in the ⋯ moves them.
A cover color for each Space. The Cover color in the Space settings colors the manuscript cards, the home cover and the public pages.
Organize World says what it left out. Each line the World did not take carries its reason, such as Name taken or Not found, and To check at the end of the card takes you to the node types and nodes it changed.
A Writing Style from your own text. Paste a passage into an empty Writing Style and press Organize from this text, and the agent sums up its style.
Shared links look like a title page. A shared World or manuscript link pasted into a messenger shows a card with the Space's name and its author.
The manuscript at phone width. Turn on Mobile view in Settings > Editor to narrow the editor to the width of a phone screen.
Long text in chat becomes cards. Pasting long text into the chat turns it into cards you can save one by one.

Improvements

During a free trial, payment starts only after you confirm in the Start immediately dialog, and switching to yearly keeps the trial going.
The trial-limit notice lets you subscribe at once with Start subscription now.
Resources on the home screen opens the walkthrough courses and the guide.
See all manuscripts in the sidebar's manuscript picker opens the manuscript screen.
The view switches come in the same order in settings and under the editor, and Hide toolbar says what it hides.
The World Setting can stay open beside the manuscript while you write.
Things to try now cards keep a small drawing on narrow screens, a card you can start reads differently from a locked one, and a World you've built opens with View world.
An empty chat suggests what you haven't tried yet.
Importing into a Space with no manuscript suggests starting with one manuscript, and a new manuscript's title field starts empty.
Pasting into notes asks a single line.
Manuscript cards sit two, three or four to a row depending on the screen width.
The save checkboxes under a reply appear as soon as it ends, and Organize now files only the ideas you ticked and the waiting items related to them.
The first World backlog shows what will go into the World before you organize.
The Build the world card sums up what the World holds in two lines.
Once the agent finishes a reply, you can send your next message while the Organize World it started is still running.
In a Korean chat the World is written in Korean, and one “in Korean” changes names, options and text at once.
Organize World leaves an approval card only when it has something new to write, and a chat knows when an organize run elsewhere has already filed what it settled.
Organize World writes board cards as one short paragraph, keeps parts named and in story order, and numbers an event only when the conversation gave its place.
Organize World and the agent tell apart cards with the same name, a card next to a new part, and a character who shares an event card's name, and rearrange a board in one go.
Asking the agent to delete a board or a node type removes it in one go, the archive restores it whole, and a card restored from the archive goes back on its board.
A deleted account is erased 30 days later even when its boards held cards.
Before any Writing Style exists, the agent writes and judges by the Space's manuscript kind.
Chats on Claude carry on while the model is thinking.
Organize World and Writing Style conversations are listed with their target's name first.
Chapter and manuscript lengths are counted with the same rule as the editor's character count.
⌘Z undoes the field you are typing in.
Deleting folders together sends their pages to the archive too, and search finds only pages outside the archive.
The import window's upload buttons carry icons, and a long file list scrolls inside its box.
EPUB files carry true bold and a working table of contents and are lighter.
A single-file PDF export shows its progress, and waiting exports run in turn.
Changing the font of one passage leaves screen titles and sections on the Title and section font.
Every font list in settings offers the editor font and the system font, and screen and file titles are set in regular weight.
Switches that are on, ticked boxes and a pane edge you drag take the theme's accent color.
While a window is open, clicks land only inside it, and what you type in the window stays until you close it.
Menus widen to fit long names, longer names fade at the edge, and a menu that opens upward keeps clear of its button.
A setting's note sits right under its name, and on a phone a long setting name fits on one line.
The editor toolbar sits flat on the page, and Scroll to top · Scroll to bottom show a chevron.
On a phone, World property names show in full and values take up to two lines, and section titles sit one size below the page title.
A node's properties and the small graph beside them line up under the title, and a progression line's ⋯ shows only when you point at that line.
A document cited as a source shows a page icon.
Board cards show property chips only once you turn them on, and a group's name matches the size of its cards' names.
Deleting a group or part tells you its cards go too.
The chat's Thinking line and buttons match the size of the lines around them, and the input's top edge stays visible in dark themes.
The area behind the chat input glows softly while items wait for the World.
In a chat shown on its own, cards come before the title, and Back to conversation is a filled button.
The conversation-list button and the sharing globe look pressed while their list is open.
The Works cards on a public page sit in one row you scroll sideways.
Sharing wears the same globe icon as Public access settings.
A Space card on the home screen keeps its color while its ⋯ is open, and cards that open something show the pointing-hand cursor.
In search boxes, the text sits closer to the magnifier.
Skill cards, table templates and the guide button work with the keyboard and with screen readers.
Korean names on public pages break only between words.