Oct. 5, 2026

Publish · Share and the New Organize World

Show Your Manuscripts and World to Others

Publish · Share lets you show your manuscripts and your World to other people. You decide what they see and who sees it.

  • In the Public group of Settings > Space, turn on Public space and set Default manuscript sharing and Default world sharing to Not shared, Link only or Everyone. Anyone given the link from Copy link can open what is set to Link only as well, and what is set to Everyone also appears in search results.
  • Pages, chapters, World nodes and board cards each take their own value under Share > Sharing in their ⋯ menu. Default follows the space's default sharing, and a shared page or node copies its own address with Copy link. All sharing settings in the same panel opens the Public group of Settings.
  • A document outside your manuscripts gets a link from the single Share by link switch.
  • Nodes of the node types chosen under Unshared world types stay out of the shared World's graph and type lists unless you share them one by one. When a node you don't share is related to a node you do, that relation shows its name only, and pressing it opens nothing.
  • Turning Public space off locks both default sharing settings at Not shared, and only the pages and nodes you shared on their own open, each from its own link.
  • A shared page shows a link mark at the right end of the editor's header, and pressing it opens the same Share menu.

Reading a Shared World or Manuscript

People with the link read without signing in.

  • A shared World opens with its relation graph and node type cards under a band in the space's color, and opening a type shows its nodes as cards. A node reads like an encyclopedia entry, with Contents on the left and the relation graph at the top right of the text, and the path in the header (space › node type › node) leads back up.
  • A board type opens as the board you see yourself, and Previous and Next cards under a board card lead to the neighbouring cards.
  • A manuscript cover shows its name, its chapter count, a table of contents laid out like your manuscript table, and Read from the first chapter. A Next card at the end of each chapter leads on, and shared manuscripts also stand as cards in the Works row of the World's band.
  • The Background menu in the header offers System, Light, Dark and Paper. Signed-in readers can also choose My theme color to read in the theme color they picked for the editor.
  • A signed-in visitor opens their account menu from their own avatar in the header.
  • Pasting a shared World link into a messenger shows a preview card with the World's graph picture, its name and the writer.

Comments on Shared Pages

  • A signed-in visitor selects words, presses Comment, and leaves a comment that carries those words as a quote. On a desktop they write in the comment panel on the right, on a phone from Leave a comment at the bottom of the screen; they can reply, and edit or delete their own comments.
  • You read visitors' comments in the editor's Comment panel in one list with your own. A visitor's comment carries a Public mark, and the number you have not read yet shows on the page's row in the sidebar and in the page header.
  • Allow comments by default in the Public group decides whether pages take comments, and each page can say Allowed or Not allowed under Share > Comments in its ⋯ menu.
  • The agent reads a visitor's comment as feedback left by a reader.

A Home for Your Spaces and the Spaces You Visit

  • Home holds two groups: My spaces and Recently visited spaces. When you read someone else's shared World, manuscript or page, that space appears under Recently visited spaces as a card that takes you back to it. Pin it from the card's ⋯ menu, or remove it with Remove from recently visited.
  • A sidebar on Home holds Home, Space archive and Pinned. Deleted spaces come back from Space archive.
  • A space card shows a picture of that space's World graph, taken again each time you open the World.
  • Pressing the space name at the top of the sidebar inside a space opens a menu with your recent spaces, New space, Space settings and Home. Skills, Guidance and Settings sit in the avatar menu at the bottom of the sidebar.
  • Every space has a round Icon. Under Icon in Settings > Space, press Another shape and Another color until you like what you see, step back with Previous, and keep it with Save. There are fifteen shapes, and the colors come from the space's node type colors first.

What Goes into the World Waits in the World Backlog Under the Chat Input

Organize World finds the lore in your manuscript and your conversations that the World does not hold yet and tells you about it; press the button and it is organized into the World. Manuscript pages and items settled in conversation that are not in the World yet wait in the World backlog, shown as one line right under the chat input.

  • Beside World backlog, a book icon carries the number of unread pages and a speech-bubble icon the number of items settled in conversation. After a reply, the agent puts the facts you settled while talking on that list, and edits or removes an item when you change or take back the plan.
  • Press Organize on the line and the World backlog panel opens in place of the chat input, showing what will go into the World first. The counts of pages and items sit at the top; below them the waiting chapters appear beside the manuscript name as spans such as 01–03, 05–14, and unfolding Items settled in conversation lists the items one per line with their numbers. The ✕ at the end of an item removes just that item, and Cancel closes the panel.
  • Organize at the bottom of the panel keeps you where you are while the line shows its progress, such as Running Organize World · 42%, and View progress opens that organizing conversation. When it ends, Review appears if you approve changes, or View result if changes apply automatically.
  • The first Organize World of a manuscript also writes that manuscript's Writing Style.
  • Closing the line with ✕ clears the waiting items; it returns once a new page passes 2,000 characters or a day goes by. To turn it off entirely, switch off World backlog reminders in Settings > AI.

Keep the Era and Stage of the Whole Work in the World Setting

  • The World Setting sits at the top of the sidebar's World area. It is a page for what holds for the whole work rather than for any one character or place — its era, its stage, its social order — and you edit it like an ordinary document.
  • Settle it in chat — “let's set it in the present day” — then run Organize World, and it is written into the World Setting.
  • Ask the agent to change the World Setting and its reply carries a World Setting card; press Update and the change goes in.
  • The agent reads the World Setting when the draft or answer it is about to write leans on the era and stage of the whole work.
  • Export it as TXT or Markdown from Export in the ⋯ menu beside its title, and bring it back from Other in the archive if you delete it.

The Agent Reads and Draws Canvases

A Canvas is a page where you place cards and connectors freely to draw a relationship map or a flow. The agent reads and draws it with you.

  • Ask for “a relationship map of the characters” and the agent reads the nodes' properties and relations and draws a new Canvas page. Two parents and their children are joined by one line that forks from a single point, a family or faction is grouped in a section, and hostile relations are drawn in red.
  • Ask for a timeline and it sets one labelled region per act along the horizontal axis and places each event card inside its region.
  • Ask it to read an open Canvas and it reads the cards and lines section by section. Ask for one change — “Move Anna next to Sara” — and it changes that alone, leaving the other cards and lines where they are.
  • The reply keeps going while the Canvas is drawn. The chat keeps Canvas and the canvas's name on one line, and once Drawing the canvas is done, Open at its end opens that Canvas.
  • Under Detailed models in Settings > AI, Canvas picks the AI that draws.

Work a Canvas from the Keyboard and the Tool Bar

  • ⌘Z (Ctrl+Z) undoes and ⇧⌘Z or ⌘Y redoes. Delete removes, the arrow keys move by 1px (10px with Shift), and ⌘C · ⌘V · ⌘D copy, paste and duplicate. Copied cards paste into another Canvas too.
  • The tool bar under the Canvas holds Select and Pan, then Card, Node, Connector and Section. Undo, redo and zoom sit at the bottom right, and Vertical axis regions and Grid open from the grid button at the top left. Right-click an empty spot for Paste and Add card.
  • Group binds several cards into one piece with no box around them; place a Section when you want a titled box. Cards inside a section move with it.
  • A card's Background and Border colors are chosen separately, and a World node card can Follow type color to use its node type's color.
  • Arrange in the ⋯ menu lines the selected cards up to the left, center, right, top or bottom.
  • Under Line, a connector is Elbow, Curved or Straight. Press a selected line again to type its label on the line, and press a selected card again to type in it.
  • Link page in a card's ⋯ menu picks the page from a searchable list. Press the page name the card shows to go to that page; drag the name and the card moves.

Export World Nodes, Canvases and Writing Styles Too

  • Export one World node, or every node of a type, from Export in its ⋯ menu as PDF, HTML, DOCX, TXT or Markdown. PDF and HTML print the property table and sections as the node screen shows them, and relation chips and node names in the text link to that node in the shared World.
  • A Canvas page exports as one PDF or HTML sheet with its cards, sections and connectors where you placed them.
  • A Writing Style, Guidance, the World Organizing Rules and the World Setting export from Export in their ⋯ menu as TXT or Markdown.
  • Documents, folders, chapters and manuscript pages export straight from their ⋯ menu in the sidebar, with Format and One file chosen inside the menu. A card at the bottom right shows the progress and then the result, and the export keeps going after the menu closes.
  • PDF exports can turn One file off as well, for a zip with one PDF per piece of writing.
  • Text colors and highlights, the font size chosen in the editor, and a table's column widths and header row are carried into the exported files.

Compare History with the Manuscript as It Stands

History takes you back to earlier content: compare versions and restore one.

  • A version opened from the History panel opens compared with the manuscript as it stands. What would come back is marked, what would go away is struck through, and untouched stretches fold into # unchanged parts. Show all shows that version's whole text.
  • Tables, headings, colors, sizes and alignment are drawn as the editor draws them, and a line where only italics or color changed is marked as changed.
  • On a World node, the time at the end of a section's title row (such as 2 days ago) or the clock at the end of a property row opens a History list. Each line shows the value that edit set, the chapter it came from, whether the AI or you made it, and when; pressing a line opens that moment with Show changes only and Restore to this point.

See Your World and Manuscripts as Cards

  • The World screen and every node type screen open as cards. A node type card shows its color, name and node count, a node card a few property lines under its name, and cards can be dragged into a new order. One button right above the table switches between Table and Cards.
  • The properties shown on cards are chosen under View > Cards in the ⋯ menu, separately from the table's columns under View > Table. Left alone, the two most-filled properties show.
  • A node screen keeps its relation graph and Contents beside the property table.
  • Pressing Manuscript in the path above the manuscript table shows every manuscript as a card with its name, chapter count and Writing Style. Drag cards to set the order of your manuscripts, and press a card's Writing Style to swap it for another or take it off.

Improvements

  • The Organize World card has a new look. A node type or node row shows its name and a count of what is added, changed and removed, such as +3 ~2 -5; unfolding it lists each change on its own line, with Reject and Approve below to answer for that node type or node alone.
  • The agent handles requests that change folders, pages, manuscripts, chapters, Writing Styles or the World's structure more accurately. It answers from what the change actually did, so a change it could not make is named with the reason.
  • Ask the agent to “bring it back” and a folder, page, chapter, manuscript or Writing Style it deleted earlier in the conversation returns from the archive.
  • One message can carry several Skills. Picking another Skill adds its chip after the first, and typing / right after the chips opens the Skill list again.
  • Ask for ideas or for the agent's view on your plan and it first looks up on the web how works of that kind handle it. A reply that used web search shows one folded Web search line that opens to its sources.
  • Chat replies set lines and headings closer together, so more of a reply fits on one screen.
  • The slider button in the chat input opens Agent settings, which holds edit permission, the model, Detailed models and your quota.
  • The agent reads a page's headings, alignment, lists, quotes, bold and text colors, and keeps them when it rewrites the page. On a document page, content that repeats the same fields (a cast list, a schedule) is written as a table.
  • Asking the agent to continue or rewrite a chapter gives a draft in that manuscript's Writing Style and default length. When the last part runs long, the draft is cut back to the length you asked for before it is saved.
  • Drafts with the web-novel preset carry feeling and weight in gestures, dialogue and the protagonist's own thoughts.
  • A conversation branch opens with everything said up to the split, and conversations longer than 100 exchanges open in full.
  • Stopping a reply midway uses quota for what the agent already read and wrote, and Rephrase counts toward quota with every model.
  • On an annual plan, the quota gauge shows how many days until your quota refills.
  • Selecting text opens a vertical menu under it with bold, italic, underline, strikethrough, text color, highlight and lists, then Comment, Ask, Rephrase and Enhance tools, all in one list.
  • The toolbar has a List button (Bulleted list · Numbered list), and the text size list offers 14, 16, 18, 20, 24 and 28. Alignment is chosen from one button's menu.
  • Turn on Hide toolbar from the toolbar's ⋯ menu or Settings > Editor and the toolbar tucks away, sliding down when the mouse rests on the top edge of the page.
  • Closing the sidebar tucks it away completely; resting the mouse on the window's left edge slides it back over the page for a moment.
  • Proofreading and Revision marks sit as a faint band under the lower half of the words. Corrections or Revision cards appearing higher up the page leave the line you are reading in place.
  • A Revision card holds its comment, its suggestion and its buttons on one surface. A suggestion the changed manuscript can't take stays on the card and says why.
  • Pressing the table button inside a table adds a new table right below it. Right-click or long-press a cell for Merge cells and Split cell; the row and column handle menus hold Set as header row, Set as header column and their unset.
  • The comment button in the page header hides or shows the comment highlights in the text. Clicking a highlight whose comments were all deleted opens a box to write the first one.
  • Pressing the + under the cursor opens its menu right below the cursor's line, or above it near the bottom of the screen.
  • A node's search keywords and slots are handled from the node's ⋯ menu, and the ⓘ next to Search keyword explains what keywords do.
  • Pressing a property name opens that slot's settings menu, where name, unit, options and group are edited in a panel beside it. A property slot's type is chosen when the slot is made.
  • New property and New section first offer the empty slots hidden on this node, with New slot at the end to make one.
  • A node type's table opens with the name, the two most-filled properties and the update date, and Choose columns manually lets you pick the columns yourself.
  • The World graph opens zoomed to fit its nodes. On a phone, swiping over the graph scrolls the page, and Pan lets your finger move the graph.
  • A board card's ⋯ menu holds rename, numbering, pin, slots, share, export and delete in the same order as a node's.
  • An empty line left between paragraphs in a Writing Style, Guidance, the World Organizing Rules or a World node's section is kept when it saves.
  • Every ⋯ menu lists its actions in the same order wherever it opens. Destinations are chosen from a single Move row: Document, Folder, Manuscript or Top level.
  • Rename turns the open ⋯ menu into a name box, and the menu stays open after Enter so the next action is one click away.
  • The Create new menu ends with Import, and Create new and Import in a folder's ⋯ menu put the result inside that folder.
  • Change number on a manuscript page edits the chapter number and the order within the chapter on one row, moving the page to another chapter or making it a chapter of its own.
  • The archive gathers everything you deleted in one All list, newest first, with Category and Location columns saying what each item was and where it sat. Items of different kinds can be restored or deleted permanently together.
  • Every list table's column widths can be dragged, and double-clicking a border puts the column back to its default width.
  • Each empty screen shows a picture of what it becomes and the first thing to do. A new chat in a space with no manuscript opens with a Here's how to start card that points to importing a manuscript or telling the agent about your story.
  • Importing several files from the new chat's card puts files with a running number in their names under Manuscript and the rest under Documents.
  • A zip of separate files saves as TypeTak_<space name>.zip; a manuscript, chapter or folder export is named after it, and a single page after its chapter number and name.
  • On a phone, every ⋯ menu and dropdown opens as a sheet from the bottom of the screen, and table rows, toolbars and buttons stand 44px tall for an easy tap. The round chat button at the bottom right opens the chat from any screen.
  • The arrow at the top left of a phone header goes up one level.
  • In Settings > Account, change your Display name and Avatar & comment highlight color, and if you signed up with an email, Send reset email sends a password-reset mail.
  • An account deleted less than 30 days ago can set a new password from the password-reset mail and come back. Resetting a password signs other devices out within half an hour.
  • The sign-in and sign-up screens say whether the ID or the password was wrong, how many seconds to wait, and when a reset link has expired.
  • Closing and reopening the browser keeps you signed in for up to 14 days after you sign in.
  • The default theme's accent comes from the indigo of the logo, and the black and newspaper themes use the same indigo. In dark themes, menus and windows have a single thin border.
  • The logo and the loading mark are the star T mark.
  • Server responses are compressed, so screens load faster on slow connections.